University Library, University of Illinois at Urbana-Champaign

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Showing 1–40 of 13,091 items
  • Project Unica
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Project Unica is an initiative of The Rare Book & Manuscript Library of the University of Illinois at Urbana-Champaign to produce high quality digital facsimiles of printed books that exist in only one copy. The concept of a "unicum" is difficult for the average library user to understand, since printed books, by their very nature, exist in more than one copy—that's the genius of Gutenberg's invention, after all. But fate and circumstance has sometime led to the destruction of every copy, save one, of a printed book. And the University of Illinois has quite a number of absolutely unique printed books. The aim of Project Unica is to digitize these supremely rare items and to provide a simple and efficient way of getting this valuable and unique information to scholars when and where they need it. The records of the books and the digital facsimiles are also available from institution's online catalog, Illinois Harvest, and OCLC.
  • Carl Sandburg Collection
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The more than 2,700 photographs in this collection are scanned from the Carl Sandburg Collection housed in The Rare Book & Manuscript Library. Spanning the years 1893-1987, these images are part of a collection that includes typescripts and galley proofs of many of Sandburg's works, his correspondence with literary and public figures, recordings and transcriptions of Sandburg's radio broadcasts, and a supporting book collection of approximately 5,000 volumes.
  • Amos Kennedy Collection
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The Amos Paul Kennedy, Jr., Collection in the Rare Book & Manuscript Library of the University of Illinois at Urbana-Champaign contains artists’ books, postcards, and posters. Kennedy is a letterpress printer, papermaker, book artist, and teacher who currently lives and works in York, Alabama. He was the first artist in residence at The Coleman Center for Arts and Culture, an organization founded in 1985 to further the arts in York. Through his strong graphics and bold typography, Kennedy addresses passionately issues of race, freedom, and equality, often incorporating proverbs and tales of the Kuba and Yoruba people of Africa, as well as the work of African-American poets such as Paul Laurence Dunbar.
  • Motley Collection of Theatre and Costume Design
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The Motley Collection of Theatre and Costume Design is a valuable source of documentation on the history of theatre and is housed in The Rare Book and Manuscript Library. It is a rare collection of original materials on the theatre comprising over 5000 items from more than 150 productions in England and the United States. These materials include costume and set designs, sketches, notes, photographs, prop lists, storyboards, and swatches of fabric. The Motley Group consisted of Margaret Harris, her sister Sophia Harris, and Elizabeth Montgomery, who designed sets and costumes from 1932 to 1976 for plays by Shakespeare and modern classics, opera, ballet, and motion pictures. Their designs were used in productions in the West End of London, the Royal Shakespeare Theatre, the English National Opera, and in the United States on Broadway and the Metropolitan Opera in New York City. Their first work was for a 1932 production of Romeo and Juliet directed by John Gielgud. The Motley Group was highly innovative in designing sets and costumes that suggested the mood, architecture, and styles of the original setting of the play, but was not the rote duplication that had been done so many times before. They wanted to create an atmosphere that was artistic, in addition to having an air of authenticity. Motley set the standard for how Shakespearean productions should be staged. The Group's work diversified in 1940 when Margaret Harris and Elizabeth Montgomery went to New York to design a production for Laurence Olivier and had to remain there for the duration of World War II, while Sophia Harris worked in London. After the war Margaret Harris returned to London and Elizabeth Montgomery stayed in New York, where she designed the costumes for numerous Broadway musicals, as well as plays, ballets, and operas. After the members of the Motley Group had retired, Michael Mullin, a professor of English at the University of Illinois at Urbana-Champaign, met Margaret Harris and expressed an interest in the University acquiring the over 40 years worth of designs that the group had accumulated. After long negotiations with Sotheby's, who had been contracted to auction the items, the University of Illinois finally reached an agreement in April, 1981, to purchase the entire collection. This ensured that a valuable resource on the history of 20th century theatre would be preserved intact for the benefit of future generations. For more information, visit the Rare Book & Manuscript Library.
  • Cavagna Sangiuliani Collection
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Antonio Cavagna Sangiuliani (1843-1913) was a public official, book collector, and recognized authority on the history of the Lombardy and Piedmont regions in northern Italy. His library contained tens of thousands of books on history, genealogy, biography, and law, including city statutes and organizational bylaws. The manuscripts in the collection especially reflect the study of local history and include charters, chronicles, investitures, leases, and other legal instruments relating to Italian cities, organizations, and families. All aspects of Italian history, from the Middle Ages to the first years of the twentieth century, are prominently represented in the Cavagna Sangiuliani Collection. Other topics which are heavily represented include art and architecture, church history and hagiography, engineering and fortification, military and religious orders, monasticism and religious life, Roman history and antiquities, and Italian academies and universities. Primarily in Italian, the collection also contains works in Latin, French, and German. Among the books in the collection are incunables, rare and early printed books, pamphlets, and ephemera. Many of the historical documents are unique and found in no other library worldwide. In addition, the Cavagna Sangiuliani Collection also contains several thousand maps, both printed and manuscript.
  • Translation with emendations of Opus galli anonymi by Sir Isaac Newton
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Newton's manuscript translation of an anonymous French work detailing the creation of the philosopher's stone. His inscription on front wrapper below title 'Opus galli anonymi' indicates that the procedures described in the text are similar to that of the French alchemical physician Pierre-Jean Fabre in his work L'abregé des secrets chymiques. No comparable source text is known, however. Newton's heavy emendations and corrections suggest that he was not merely transcribing, but extemporaneously creating an original translation from the French text, possibly with his own interpretations and elucidations.
  • Historical Maps Online
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The Historical Maps Online collection contains images of maps charting the last 400 years of historical development in Illinois and the Northwest Territory, including historic topographic maps of Illinois. The collection also contains early large-scale topographic quadrangles published by the United States Geological Survey in the late nineteenth and early twentieth centuries. Collection size: approximately 420 maps.
  • John Starr Stewart Ex Libris Collection
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The John Starr Stewart Ex Libris Collection comprises some 1500 plates, each mounted on an individual card. Each card has a specially designed printed form mounted on the verso upon which Mr. Stewart inserted notes about the owner, designer, or subject of the plate. Besides bookplates, the collection contains book stamps and spine labels, especially from institutional libraries. The collection was made between 1903 and 1906 and is rich in contemporary bookplates, many in the art nouveau style, although older plates are also included. While mid-Western and other American plates predominate, a substantial number of English and continental plates are present.
  • Digital Emblematica
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The Digital Emblematica collection highlights a fraction of the internationally renowned emblem book collection owned by the University of Illinois at Urbana-Champaign. Published in Germany, France, Italy, Spain and England, each digitized book can contain up to 1,500 emblems to peruse. These 17th and 18th Century creations typically link together three constitutive elements — a motto, an illustration or "pictura" in the form of a woodcut or engraving, and an explanatory poem or "subscriptio."
  • Collins Collection of Irish Political Cartoons
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    This is an online collection of political cartoons from the University of Illinois Library Collins collection of books, pamphlets, newspapers, maps and cartoons; it was purchased by the Library in 1917. The collection consists of cartoons drawn primarily from the Weekly Freeman and National Press and United Ireland newspapers. The cartoons address the subject of Irish politics of the late 1800s and early 1900s, and, in particular, Ireland's relationship with England. Collection size: approximately 75 cartoons.
  • Paléographie des classiques latins
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Émile Chatelain's Paléographie des classiques latins was produced in 14 fascicles between 1884 and 1900, and consists of more than 200 facsimiles of leaves from medieval manuscripts, with explanatory text. The leaves range in date from the fourth to the fifteenth century, and together demonstrate the range of scripts in which the main Latin classics were transmitted from antiquity to the modern world. More than thirty classical authors are represented in the collection, which has been an important paleographical reference work for more than a century. Collection size: approximately 305 items.
  • Collection of Marcel Proust papers, 1870-1950
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Papers of the French novelist Marcel Proust (1871-1922) provide a look at the man and his times. Proust had a large and varied number of correspondents, and his letters include an important source of information about Parisian life and French culture at the turn of the century.
  • Portraits of Actors
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    Portraits of Actors, 1720-1920, includes almost 3,500 pictures of actors — studio portraits and actors posing in costume for a particular role or performing a scene from a play. Dramatists, theatrical managers, singers and musicians are also included, but the majority are British and American actors who worked between about 1770 and 1893. Among the hundreds of actors included are: Sarah Siddons, Edmund Kean, John Philip Kemble, Edwin Booth, Edwin Forrest, William Henry West Betty, Charles Mathews, Dorothy Jordan, Frances Abington, and Ada Rehan. The images were digitized from etchings, engravings, lithographs, mezzotints, aquatints, wood engravings, photographs, and photomechanically-reproduced prints, all from the University of Illinois Theatrical Print Collection.
  • Conde de Montemar Letters
    Rare Book & Manuscript Library  ·   Digital Special Collections
    Description
    The Conde de Montemar Letters are a unique collection of correspondence that belonged to the Spanish/Peruvian noble family Carrillo de Albornoz y Bravo de Lagunas, counts of Montemar. The Latin American and Caribbean Studies section of the International and Area Studies Library at Illinois is proud to offer unfettered access to this unique collection of eighteenth century letters, which provide a close and unfiltered look into the life and politics of the Limeño elite during the late colonial Spanish Empire. The letters’ topics include the intimate communication of familial matters, vice-royal politics, the relationship with the Church, urban life, and economic activity. In a time of integral changes and reforms at the core of Spanish imperial rule, the collection represents a useful source for scholars focusing on Andean political cultures, Spanish Imperial politics, Peruvian political and economic history, Peruvian-Spanish family history, gender, race, social hierarchy, religion, and other humanistic fields such as historical sociology, historical anthropology, and historical economy. The Conde de Montemar project is a product of multiple units at the University of Illinois Library. Many people have been involved in this project in one way or another. For more information on the work done to make these letters accessible, as well as the individuals and institutions who contributed to this work, please visit the official project website at: https://quest.library.illinois.edu/Conde-de-Montemar-Letters/
  • Frederick Hill Meserve Selected Photographs (Digitized Content)
    Illinois History and Lincoln Collections  ·   Digital Special Collections
    Description
    The digitized content of the Frederick Hill Meserve Selected Photographs consists of photographs of Abraham Lincoln, dating from 1846 to 1865, that were collected by Frederick Hill Meserve. The photographs were collected in an album that was prepared by Meserve and Carl Sandburg for the creation of "The Photographs of Abraham Lincoln," published in 1944. Frederick Hill Meserve was born in 1865 and was the son of William Neal Meserve, a Civil War veteran. Frederick Meserve began collecting Civil War era photographs in the 1890s to illustrate his father's war diary. He became a prominent collector and historian of photographs from the era, especially photographs of Abraham Lincoln. He worked alongside historian Carl Sandburg to publish "The Photographs of Abraham Lincoln" in 1944. Meserve died in 1962, and his extensive collection of original photographs, amassed with the help of his daughter, Dorothy Meserve Kunhardt, was purchased by the Beinecke Rare Book and Manuscript Library at Yale University in 2015. The digitized content consists of over 100 photographs of Abraham Lincoln, dating from 1846 to shortly before Lincoln's death in 1865. The photographs are 20th century reproductions made from original daguerreotypes, ambrotypes, and negatives, which were collected in an album to prepare for the creation of "The Photographs of Abraham Lincoln." The bulk of the photographs depict Lincoln during the years of his presidential campaign and the subsequent five years he spent in the White House. The Illinois History and Lincoln Collections unit at the University of Illinois Library manages the physical items of the Frederick Hill Meserve Selected Photographs (MS 1027). The collection was partially digitized in 2013. For more information, contact an archivist at ihlc@library.illinois.edu. The Library wishes to acknowledge the Meserve-Kunhardt Foundation, which gave us permission to digitize the photographs and to reproduce the text of the image captions supplied by Frederick Hill Meserve in "The Photographs of Abraham Lincoln."
  • Davies, John; Davies, Gertrude
    Digital Special Collections
    Description
    Woman sits an reads an oblong book or manuscript
  • Harrwitz, Max
    Digital Special Collections
    Creator
    S.B.
    Description
    Putto with open_file book
  • Tulane University. Library.
    Digital Special Collections
    Description
    Text and Tulane 'UT' logo
  • Ortiz, Manuel A.
    Digital Special Collections
    Description
    Multicolored. Troubadour scene: Man playing a stringed instrument (pandoura?) sings to seated woman, child plays tambourine. Outline of image imitates manuscript fragment.
  • Yale University. Library.
    Digital Special Collections
    Description
    Hebrew scholar consulting book
  • Man with an open book
    Digital Special Collections
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.
  • Indianapolis Public Library
    Digital Special Collections
    Creator
    Rush, Olive, 1873-1966
    Description
    Originator: LC authorized heading
  • Princeton University. Library. Library of English poetry.
    Digital Special Collections
    Description
    Escutcheon sanguine a chevron and chief sable
  • Carl Sandburg signing a book at the Waldorf Astoria Bookshop
    Digital Special Collections
    Date
    1952
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.
  • Book collection at Carl Sandburg's birthplace
    Digital Special Collections
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.
  • Calumet City Public Library
    Digital Special Collections
    Description
    Native American with peace pipe
  • Petrick, Albert
    Digital Special Collections
    Creator
    CS. K.
    Date
    1905
    Description
    Scholar in library consulting open_file book
  • Bowdoin College. Library.
    Digital Special Collections
    Description
    Text
  • Nimick, Florence Coleman
    Digital Special Collections
    Description
    Black ink on beige paper. Contains a compass above the image of a mansion framed by tall bare trees (Homewood estate).
  • Swarthmore College. Library.
    Digital Special Collections
    Description
    Black ink on beige paper with a thick-thin line border.
  • Kentucky State Library
    Digital Special Collections
    Description
    Purple stamp on beige paper.
  • Tufts College. Library.
    Digital Special Collections
    Description
    Text within single-line border.
  • Carl Sandburg on a couch with a book next to an unidentified man
    Digital Special Collections
    Description
    Carl Sandburg seated on a couch, with a book in his hands next to an unidentified man.
  • Carl Sandburg signing a book at the Waldorf Astoria Bookshop
    Digital Special Collections
    Date
    1959
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.
  • Swarthmore College. Library. Alumni Library Endowment Fund.
    Digital Special Collections
    Description
    Black ink on beige paper. Swarthmore College Alumni Association seal in the background: portrait of founder.
  • Indianapolis Public Library
    Digital Special Collections
    Creator
    Burford, William B., 1846-1927
    Description
    Eagle and scales, mantel with books, globe and an oil lamp, and a warrior.
  • Girard College. Library.
    Digital Special Collections
    Description
    Main Building of Girard College, in Greek classical style
  • Champaign Public Library
    Digital Special Collections
    Description
    Text within carved frames
  • Carl Sandburg's Mother, Clara Sandburg
    Digital Special Collections
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.
  • Carl Sandburg signing a book
    Digital Special Collections
    Description
    Images were captured using an Epson 1640 XL flatbed scanner and Photoshop 7.0 and 8.0 imaging software. Master images were captured in TIFF format, 24-bit color or 16-bit black-and-white. Image size was 600 DPI for all master images. Master image size ranged from roughly 2.5 MB to 40.0 MB. Images were optimized using Photoshop 5.0. For this project image modification was kept to a minimum. Images were rotated and some borders were cropped to reflect the look of the original piece. Access images were created as JPEGS with minimum compression and sized to 1024x768 pixels.