University Library, University of Illinois at Urbana-Champaign

The items in the Digital Collections of the University of Illinois Urbana-Champaign Library contain materials which represent or depict sensitive topics or were written from perspectives using outdated or biased language. The Library condemns discrimination and hatred on any grounds. As a research library that supports the mission and values of this land grant institution, it is incumbent upon the University Library to preserve, describe, and provide access to materials to accurately document our past, support learning about it, and effect change in the present. In accordance with the American Library Association’s Freedom to Read statement, we do not censor our materials or prevent patrons from accessing them.

If you have questions regarding this statement or any content in the Library’s digital collections, please contact digitalcollections@lists.illinois.edu

American Library Association’s Freedom to Read Statement

Diversity, Equity, Inclusion and Accessibility at the University Library
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Repository
Collection Structure
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Showing 3,401–3,440 of 3,813 collections
  • SourceLab
    Scholarship
  • SourceLab V1 2020
    Scholarship
  • SourceLab V2 2021
    Scholarship
  • SourceLab V3 2022
    Scholarship
  • SourceLab V4 2023
    Scholarship
  • Sousa Archives Music Instrument Digital Image and 3D Model Collection
    Sousa Archives and Center for American Music  ·   Digital Special Collections
    Description
    The Sousa Archives and Center for American Music (SACAM) acquires and preserves significant archival records and historical artifacts in multiple formats that document America's diverse music heritage. The Center’s collection of historical music instruments, dating between 1810-1972, include rare cornets and trumpets, early boxwood clarinets and flutes, unique double-reed sarrusophones, bassoons and Heckelphone, unusual harps and zithers, prototype electronic Hawaiian guitars and Sal Mar Construction, and Civil War era military horns. The Center’s music instruments complement its significant archival collections that document the lives and careers of such musicians and band leaders as John Philip Sousa, Herbert L. Clarke, Claude Gordon, as well as University of Illinois Band Directors A. Austin Harding, and Mark Hindsley. The instruments also document early technological developments associated with both European and American music instrument manufacturing by such important manufacturers as Frank Holton, F. Besson, C.G. Conn, Isaac Fiske, John F. Stratton, Graves & Co., A. G. Wright, and Christian R. Stark. The provenance of each instrument is identified in each set of images. Each instrument from the archive’s collections is being photographed from multiple viewpoints. In addition to high resolution still images of the fronts, backs, sides, tops, and bottoms of each instrument, fully accessible 3-dimensional digital models are being created for each of the instruments. These 3D images are highly interactive, allowing online users to move, rotate, turn, pan across, and zoom in and out of each model to more fully examine the intricate details of instrument. The Center’s ultimate long-term goal is to create digital sound files for each playable instrument and incorporate them into its music instrument digital library which will provide users with broadest multi-media educational experience using today’s online technologies.
  • Special Collections Conservation Treatment Documentation
    Preservation Services  ·   Digital Special Collections
    Description
    About Conservation Documentation The process of conservation documentation in the course of treatment is intrinsic to the ethical transmission of the conservator’s work. It records the state of an object before, during, and after the changes brought about by physical treatment. Through text and photographs, the documentation provides a chronicle of decisions made and actions taken. It is also meant to exist in perpetuity with the treated object as a critical archive of change in history over time. In a variety of written formats (checkboxes, database forms/fields, narrative text, or any combination of those three), conservators record the composition of an artifact, its changes over time including deterioration and damage from outside forces, proposed conservation treatment approaches and, after treatment, the final conservation treatment actions as completed. Alongside the written documentation are a series of photographs meant to document these steps, including various standardized shots taken before and after treatment, as well as images meant to highlight any unique features. In some instances, images may also be taken during treatment to document particular challenges, structural anomalies, or significant treatment steps. Historically, conservation treatment was kept on physical 35mm color slides and paper but has transitioned to digital images and files since the early 2000s for most institutions. In many institutions, conservation documentation is archived and preserved, but stored only in digital “dark storage” for access only by library staff when requested. By creating this publicly searchable collection, the Preservation Services Unit at the University of Illinois Library supports more open access to these important documents. Using this Collection This collection may be accessed in multiple ways. To view thumbnails of all items in the collection, or to search for individual items or treatment types, click on the button above that shows the total number of items in the collection. From here you may browse the collection or search in multiple ways. If you are interested in a particular book, you may search for individual titles by using the filter function to search for basic bibliographic information such as title, call number, publication date, etcetera. If you are interested in learning more about particular damage types or conservation repairs, you may use the lists at the left of the screen to choose single or multiple tags for areas such as treatment type, item format and structure, damage types, and/or materials and equipment used. A copy of the lexicon of terms and definitions can be found at https://go.library.illinois.edu/IllinoisConservationLexicon.
  • Special Program Announcements (Digital Surrogates)
    University of Illinois Archives  ·   Digital Special Collections
    Description
    Digital Surrogates of the printed announcements of special programs on WILL radio and TV. Contains two digitized programs on anti-communism and southern American history.
  • The Spiritual Moralist (Digitized Microfilm)
    Illinois History and Lincoln Collections  ·   Digital Special Collections
    Description
    The digitized content of The Spiritual Moralist (Digitized Microfilm) consists of publications from Volume 1 Issue 1 (1842) to Volume 1 Issue 2 (1842). The periodical was published in Putney, Vermont by editors J. H. Noyes and G. Cragin. The newspaper’s creator and editor, John Humphrey Noyes, was an American preacher and utopian socialist who founded the Bible Communists in 1836 in Putney, Vermont and the Oneida Community in 1848 in Oneida, New York. The digitized content contains periodical issues discussing Christian perfectionism, collective settlements in Putney, Vermont, complex marriage, and utopian socialism. Each issue contains doctrinal essays by John Humphrey Noyes, contributions on spiritual topics by G. Cragin, and testimonies from members of the community. The Illinois History and Lincoln Collections unit at the University of Illinois Library manages the microfilm copies of The Spiritual Moralist (Digitized Microfilm). The collection was completely digitized in 2022. For more information, contact an archivist at ihlc@library.illinois.edu.
  • Spurlock Museum
    Scholarship
  • SROP 2017
    Scholarship
  • Staff Appointments File (Digital Surrogates)
    University of Illinois Archives  ·   Digital Special Collections
    Description
    Digital Surrogates of the Staff Appointments File includes recommendations for appointments, resignation or change in rank forms, correspondence, and news clippings regarding documentation filed in the President's Office for faculty and staff appointments.
  • Staff Memoranda (Digital Surrogates)
    University of Illinois Archives  ·   Digital Special Collections
    Description
    Digital Surrogates of Staff Memoranda include handbook of WILL governing policies (1939), V-E Day program schedule (1945), list of radio programs schedule (1945, 1957), Broadcast News newsletter (1995).
  • Stanley Smith Papers (Born Digital Records, Digital Surrogates and Audio Visual Digital Surrogates)
    University of Illinois Archives  ·   Digital Special Collections
    Description
    Stanley Smith Papers (Born Digital Records, Digital Surrogates and Audio Visual Digital Surrogates), 1989-2011, 2014, contains presentations, images, web tutorials, audio and video concerning chemistry curriculum and instruction. Digital materials involve topics as web-based instruction, Falconsoft, PLATO, course materials and Chemistry Department equipment and facilities. Streaming access to video material containing PLATO screenshots and chemistry experiment demonstrations, is available at this link: https://mediaspace.illinois.edu/playlist/dedicated/59489761/1_set2aamg/1_ehngnnti Complementary material available upon request; includes computer programs, additional presentations, pictures, maps, audio and video files, concerning chemistry curriculum, instruction and research, Falconsoft, PLATO, course materials, Chemistry Department Faculty and the renovation of Noyes Hall.
  • The St. Anne Record (St. Anne, Ill.) 18??-1969
    History, Philosophy, and Newspaper Library  ·   Digital Special Collections
  • Star Wars Club Records (Born Digital Records)
    University of Illinois Archives  ·   Digital Special Collections
    Description
    Star Wars Club Records include correspondence, photographs, administrative documents, membership rosters, and promotional materials related to the club from its beginning in 2017.
  • STATEMAP - Illinois State Geological Survey
    Scholarship
    Description
    Geologic maps in this collection are produced, typically within a one-year period, with funds from the U.S. Geological Survey, National Cooperative Geologic Mapping Program which are matched 1:1 by the ISGS. Maps can be a variety of scales, with a majority at 1:24,000 scale. Map themes primarily include bedrock and surficial geology. STATEMAP products are only informally peer reviewed prior to publication and may not conform to ISGS cartographic standards. Many STATEMAP products are later revised, formally peer reviewed, and published in other Illinois State Geological Survey publication series.